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Very sad news. Given his influence on Punk/New Wave and in particular the Rats first LP, this is one dude that I have to see live in forthcoming months.
I am very sad to announce that Wilko has recently been diagnosed with terminal cancer of the pancreas. He has chosen not to receive any chemotherapy. He is currently in good spirits, is not yet suffering any physical effects and can expect to enjoy at least another few months of reasonable health and activity. He has just set off on a trip to Japan; on his return we plan to complete a new CD, make a short tour of France, then give a series of farewell gigs in the UK. There is also a live DVD in the pipeline, filmed on the last UK tour.
Wilko wishes to offer his sincere thanks for all the support he has had over his long career, from those who have worked with him to, above all, those devoted fans and admirers who have attended his live gigs, bought his recordings and generally made his life such an extraordinarily full and eventful experience. Thank you.
I must confess I have not gotten 'round to hearing any Wilko Johnson albums, save his work with Dr Feelgood. He is one of those names that keeps coming up, but sometimes you are waylaid by other music eg finding Babyshambles Down In Albion cd for 1 Euro in a charity shop (true story), a few weeks earlier I found the second Franz Ferdinand album for a Euro also (Who needs HMV when a little thrift can save a lot of money!) and help the starving millions.
Seems Wilko played the Kilkenny Rhythm and Roots Festival in Ireland a few years ago. Some of those London gigs might be good for the "most Rats in one space" competition- who knows, they might all turn up, and remember what inspired them to be in a band in the first place.
£0.01 is the going rate on amazon, though they do hit you with a £1.26 postage cost. You can get a CD for just over £1, whereas the download can cost £8 upwards... Can't claim to have heard anything from Wilko post Feelgoods, but fortunately his set is more or less a run through of his self penned songs from the first three LPs,
Both London dates sold out in minutes. And the guest list could be filled with plenty of the great and the good from the late seventies. I'll let you all know who I see
The list of '70s New Wave bands who acknowledge the influence of Wilko and the Feelgoods is extensive and includes The Clash, The Sex Pistols, The Jam, The Boomtown Rats, and across the Atlantic The Ramones and Blondie (who spent a whole night at a New York party wearing out their specially imported copy of the Feelgood's first album, 'Down by the Jetty').
I must confess I have not gotten 'round to hearing any Wilko Johnson albums, save his work with Dr Feelgood. He is one of those names that keeps coming up, but sometimes you are waylaid by other music eg finding Babyshambles Down In Albion cd for 1 Euro in a charity shop (true story), a few weeks earlier I found the second Franz Ferdinand album for a Euro also (Who needs HMV when a little thrift can save a lot of money!) and help the starving millions.
Seems Wilko played the Kilkenny Rhythm and Roots Festival in Ireland a few years ago. Some of those London gigs might be good for the "most Rats in one space" competition- who knows, they might all turn up, and remember what inspired them to be in a band in the first place.
The doctor said, Youve got cancer. I was absolutely calm. And then later I began to feel almost euphoric
In the febrile world of showbusiness, farewell tours are common enough. They are undertaken by artists of a certain age planning to spend more time with their grandchildren, the golf course, or perhaps the contents of their wine cellar. Sometimes the warm rush of approbation, and consequent ticket sales, are so impressive that the performer will become mildly addicted. Kiss, the Eagles and Streisand have all been accused of never quite being able to say goodbye.
But there is nothing optional about the farewell gigs soon to be undertaken by Wilko Johnson, one of Britains greatest rhythm and blues guitarists, whose former group, Dr Feelgood, were, for a heady year or so in the mid-1970s, just about the biggest band in the land. Johnson, 65, has terminal cancer of the pancreas and last week announced that he would not be undergoing chemotherapy. Tickets for four last shows in March to say thank you to the fans went on sale yesterday three of which have already sold out and an extra London date has been added.
In the rocknroll business this is surely the first time that an artist has signalled so starkly that there can be no encores.
And yet the tall, thin gent in black T-shirt and jeans splayed on an armchair in his yellow, crenellated house in a suburb of Southend, Essex, has none of the air of a condemned man. He laughs: Apart from a touch of cancer, Im fine. Physically, none of the symptoms have started yet. The specialist told me I may have four or five months before they kick in.
I had the analysis just before Christmas, and I dont know if the guy was an expert in telling people bad news but he said those words, Youve got cancer, and I was absolutely calm.
I didnt freak out at all. I mean, Ive always been a miserable bugger but I felt OK and then later I began to feel almost euphoric, and the strange thing is that the feeling hasnt worn off. I realise that all the things that I usually worry about dont matter.
He says he has refused chemotherapy because, at most, it would offer only another three poor-quality months of life and that didnt seem like a good deal.
On the coffee table in front of us, next to the chess set and the Russian dolls, is a pile of letters from Japanese fans, where news of the illness emerged during recent dates. Its funny, I never realised I had touched people so personally. Theyre very moving, the ones in broken English are the most heartbreaking.
Wed finish the gigs with me singing Bye Bye Johnny and I was waving at the fans and they were waving and it should have been sad, but it was great. He laughs: Terminal cancer is in many ways a good thing for a show-off.
Its an illness, though, that has stalked his adult life: carrying off the lead singer of the Feelgoods, Lee Brilleaux; his chum and bandmate Ian Dury; and, eight years ago, his beloved wife Irene, whom he says he still thinks of every day. Oh God, that was terrible. Wed been together for 40 years. She was so brave, she never once complained.
But Johnson insists its been a good life. Growing up on Canvey Island in Essex, an odd blend of East End holiday resort and oil refinery grime, he found fame playing choppy lead and rhythm chords with Dr Feelgood. They wore thin-lapelled suits and played a lean, spare rhythm and blues that had a raw excitement that made the loon-panted denizens of prog rock suddenly look very old-fashioned indeed.
Future members of the Sex Pistols, the Jam and Madness all came and mentally took notes. In New York, Blondie wore out the grooves on an import copy of Down By the Jetty, the Feelgoods debut album.
And regularly stealing the show was the frenzied, bug-eyed Johnson and his red and black Fender Telecaster with tunes that transposed Chicago blues to the south Essex badlands.
Soon they were the band of the moment: at a residency at the Kensington pub in West London (he hates the term pub rock) a pre-Charles Lady Di and the author John Mortimer were regulars, though he remembers neither. When the Feelgoods live album, Stupidity, went to No 1 in the UK and they began to tour the States, a Stones-like future of stadium glory briefly seemed to beckon. But Johnson, sole songwriter, rowed violently with the other three (I could be a moody so and so). He says he was thrown out; the band put it about that he quit voluntarily.
Ive played ever since either with my own band or with Ian Dury. I mean, what else could I do? But the career was always an accident, we were a little local band, we just happened to be very good.
Originally I wanted to be a poet. In fact The Spectator published one of my old poems, from 1968, the other day Get Your Kicks on the B1014 I was delighted. So not only am I a published poet but I was talking to my son, who lives in the Philippines, and on the news there they described me as Game of Thrones actor Wilko Johnson. So I can add actor to my tally. I played an executioner in one or two shows I had to look daggers at people then cut their heads off. And it was great because I was mute, so didnt have to learn lines ... So actor, poet, musician. Not bad.
Theres an erudite range of domestic interests too. On the flat roof of the house is a dome enclosing a large telescope. Johnson spends hours up there, gazing at the heavens and hopes to see the rings of Saturn one last time this year. He studied English at Newcastle University and took a course in old Icelandic and is one of the few English people who can read the ancient sagas in the original. He loves Shakespeare and Marlowe and can rare for an electric guitarist quote speeches from Tamburlaine. Julien Temple, who made a film about him and the Feelgoods in 2009 called Oil City Confidential, has called him one of the great English eccentrics.
But Johnson is stoical about leaving all this behind. And as an atheist he is certainly not expecting life ever after. If you asked me how I feel about knowing its over, I would say that sometimes Ive been feeling truly happy for the first time in my life.
When we were in Japan we went to this temple in Kyoto and the scene with the mountains behind was sublime.
A light snow was falling and the scene was utterly beautiful. Normally Id be trying to take this in as a memory. But I thought theres no point, so I was just in that moment completely and I felt fantastic.
Its time to go and, as the photographer and I leave, we notice the graffiti that Johnson has scrawled on the inside of his garden wall Viva, an anarchist symbol, then Venceremos.
Yes, thats my bourgeois rebellion, laughs Johnson, only I can see it ... Yeah, Venceremos, we will overcome. Well, maybe not this time.
I can't help feeling that one of the biggest influences on Dr Feelgood was London band The Pretty Things who started out in 1963. They had a similar very raw stage presence, played a mixture of original and cover versions, and were a bit of a cult band. I discovered them through a compilation cd and was very impressed- they did the archetypal sixties thing of going from straight rock n roll through a late sixties psychedelic phase, producing some great songs in both genres.
I suspect the Boomtown Rats would have been familiar with The Pretty Things to some degree. Geldof's song She's A Lover is pretty much based on The Pretty Things song of the same name- that can't just be coincidence.
Loud and aggressive, obviously with its roots in British RnB, i.e. the Stones, the Pretty Things (who Id loved since hearing Rosalind). And in retrospect, very much like latter period Pirates.
As an aside, Bowie was a big fan of The Pretty Things. He covered two of their songs on Pin Ups and of course wrote Oh You Pretty Things though the song wasn't about the band.
Saw a great couple of gigs at Koko from Wilko, but an interesting byline in Time Out London...
Hes also working to complete an album before he goes, with a clutch of famous collaborators he describes as all sorts of people who were previously in the shadows.